Robert D. Farber
University Archives & Special Collections Department
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Repository: Brandeis University
Type: Archival Object
Subject
Zionism, Jewish Identity
11
Tiananmen, China, Democracy
8
Charlton Heston
5
Student Activism
5
Student Activities
3
Sam Thier
2
Books of Hours, Medieval Culture
1
Brandeis Acapella, Music
1
Brandeis Television, Brandeis Drama
1
Brandeis Television, Brandeis drama
1
Brandeis University, Faculty, Campus, Students
1
Carlos Fuentes, Latin American literature, Latin American politics
1
Charlotte Solomon
1
Charlton Heston and the NRA
1
Civil Rights, African-American Student Rights, Student Activism
1
Dalai Lama
1
Dedication, Near Eastern Judaic Studies, Business and Faith
1
Doris Breay
1
Gosman Sports and Convocation Center
1
Gwen Fmaxwill and Amy Grossman
1
Handgun Violence
1
Heath Care System
1
History of Brandeis University
1
Latin American Studies, Cuban American culture, Cuban American writers, Cuban American directors
1
Morris S. Schwartz, amyotrophic lateral sclerosis, death
1
Music, Political Thought, Brandeis, Academic Excellence
1
Myths about Brandeis University
1
National Association of Independent Colleges and Universities, Financing Higher Education, Student Aid, Tax Policy
1
Rosario Morales, Latin American literature
1
Saul Cohen, Chemistry, interview
1
Science Program
1
Spain -- History
1
Spain -- History -- Civil War, 1936-1939 -- Medical care
1
Spain -- History -- Civil War, 1936-1939 -- Pictorial works
1
Spain -- Politics and government
1
Student Activism, Ford Hall Occupation, National Student Strike Information Center
1
Student Government
1
Student Musical Groups, Student Acting Groups
1
Theatre: "Bye Bye Birdie"
1
Theatre: The cast and crew of "Bye Bye Birdie"
1
Zionism, Jewish Identity,
1
[1978]
1
honorary degrees, Israel, Palestinian conflict
1
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“Huberts Museum; Professor Heckler; ½ woman ½ man” transcript, Reel #6 3rd Show, Saturday September 17, circa 1959
“How Come You Can Play Dirty Blues on a Salvation Army Piano?” by Lenny Bruce, undated
“Home of the Brave”: Typescript. 95 pp., 1947
“Home of the Brave”: Typescript copy. 84 pp., 1957
“Home of the Brave”: Playbill and correspondence., 1946-1950
“Heartsong”: Typescript. 183 pp., undated
“Heartsong”: Typescript. 157 pp., 1945
“Heartsong”: Typescript. 140 pp., undated
“Heartsong”: Typescript labeled “second revision.” 187 pp., undated
“Heartsong”: Typescript copy. 140 pp., undated
“Heartsong”: Photographs identified on the back by Mr. Laurents. 15 photographs, undated
“Heartsong”: Original synopsis. 10 pp., undated
“Harry Affidavit”
“Gypsy”: Typescript. 119 pp., undated
“Gypsy”: Typescript. 119 pp., undated
“Gypsy”: Typescript. 118 pp., undated
“Gypsy”: Typescript and playbill. 62 pp., undated
“Great Novels” part 2, undated
“Great Novels” part 1, undated
“Great Novels” part 1, undated
“Gifts for Every Reason...,” 1988
“Gifts for every reason,” 1988
“German, German-American background, technique of hate", 1937-1941
“Fulfilling the Promise,” 2009
“From the Ground Up: Building Israeli-Palestinian Peace in Uncertain Times” (#100B), February 18-19, 2006
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